Tag Archives: Cheapside

DARK AGE LONDON contd.

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Another in the  series of posts taken from  my forthcoming book, “The Flower Of All Cities” …

Building Works

Within the walls of the City, the first St Paul’s Cathedral was founded by Bishop Mellitus and the Kentish King Ethelburg in 604, a matter of a few short years after the arrival of the Gregorian mission in 597.  Again as the  Venerable Bede put it:  “In the Year of our Lord 604, Augustine, Archbishop of Britain, ordained … Mellitus to preach to the province of the East Saxons … .  … [W]hen this province … received the word of truth, by the preaching of Mellitus, King Ethelbert built the church of St Paul the Apostle, in the city of London, where he and his successors should have their episcopal see … ”.  The   first cathedral  went on to be destroyed by fire in 675.  The second, “The Church of Paulesbyri”, was built during the  Bishopric of  Erkenwald, between 675-85,  and destroyed by the Vikings in 961.  The  third was built in 961, and destroyed by fire in 1087.

The church of All Hallows Barking was  originally built in  around 675.  That of St Peter-upon-Cornhill was built at least as long ago as 1038, being  mentioned in the will of Bishop Aelfric, who died in that year.  And that of St Lawrence Jewry at least as long ago as 1046, wood from a coffin in the churchyard being  dendrochronologically dated to  that year.   Many other churches are of probable or possible Saxon origin, the best substantiated being  St Benet Fink, where a grave-slab tentatively dated on stylistic grounds to  the late tenth or early eleventh century has been found.  The palace of the Mercian King Offa was originally built in the eighth century.   What is now known as Queenhithe was first recorded, as “Ethered’s Hithe”, in 898; and it is evident, from dendrochronologically-dated timbers re-used in a revetment on the river-front, that an arcaded “aisled hall” – in context most likely a royal palace or other high-status building – was built here between 956-79.  And Billingsgate was first recorded in around 1000.

Without the walls, in Southwark, the nunnery of St Mary Overie (Southwark Cathedral) was founded in 606.  In  Westminster, the parish church of St Clement Danes on the Strand, “so called because Harold (surnamed Harefoot) King of England of the Danish line and other Danes were here buried”,  was at least purportedly originally  built in wood by Alfred in the late ninth century, and subsequently rebuilt in stone by Cnut in the early tenth; and in Camden, the church of St Andrew Holborn, in wood, at least as long ago as 951, being referred to as an “old wooden church” in a Charter of that year.  Also in Westminster, the Benedictine Monastery of St Peter was founded by Bishop Dunstan and King Edgar in 960, on what was then Thorney Island (and, according to legend, the site of a church founded by Sebert in 604); and the Palace of Westminster, by Cnut, in 1016.  The Monastery was subsequently  rebuilt, as Westminster Abbey, under Edward “The Confessor”, in the years up to 1065; and the Palace was also rebuilt at this  time.   A monk of St Bertin’s Abbey wrote in 1065: “Outside the walls of London … stood a monastery [founded by Bishop Dunstan under King Edgar the Peaceable and] dedicated to St Peter, but insignificant in buildings … .  … The King [Edward the Confessor], therefore  … gave his attention to that place, for it both lay hard by the famous and rich town and also was a delightful spot, … [and] … decided to have his burial place there [he was to die in 1066].  Accordingly, he ordered that out of the tithes of all his revenues should be started the building of a noble edifice, worthy of the Prince of the Apostles … ”.

The layout  of the streets in the Saxon City of Lundenburg  was essentially  longitudinal, such as to allow easy access  to Lundenwic to the west.  The principal streets were Eastcheap to the east and Cheapside to the west, with Leadenhall Street and Cornhill to the north, and Fenchurch Street and Lombard Street to the south, of the old Roman Basilica and Forum in the centre (note in this context that the Saxons appear to have held Roman ruins in superstitious awe, a line in an Old English poem entitled “The Ruin” referring to them as “enta geweorc” or “labours of giants”).  Saxon street names were characteristically blunt, often  referring simply to available goods or services (“c(h)eap” meant  “market”).

Surviving Structures

Structures that survive from Saxon and Viking London  are extremely few and far between.

Essentially nothing now  remains of the original Saxon fabric in St Paul’s Cathedral, St Mary Overie (Southwark Cathedral),  or St Lawrence Jewry.  Nothing remains either of the palace of the Mercian King Offa, incorporated into St Alban Wood Street, in turn severely damaged during  the Blitz of the Second World War, and substantially demolished in the post-war period.  Nor anything of  Queenhithe or Billingsgate, other than the names  (and the aforementioned timbers from Queenhithe, now in the Museum of London).  Nor of the folkmoot or husting.

However, there are surviving – seventh-century and later – Saxon remains in the church of All Hallows Barking.  These include a fine stone arch possibly as old as the late seventh century, c. 675, incorporating Roman tiles; and, in the crypt, two stone crosses, one of 900 and the other of 1000, the former plain and simple, and bearing  a Saxon Runic inscription, and the latter  beautifully and intricately carved, and bearing  a symbolic depiction of Christ over beasts, a characteristic of “Dark Age” iconography.

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There is also some surviving precisely-dated eleventh-century  and  imprecisely-dated pre-eleventh-century stone-work fabric  in  the church of St Bride, off Fleet Street, the latter of which has been postulated, although not proven, to date to the late fifth or early sixth century, the church’s purported founder Bride, or Bridget, the   Abbess of Kildare in Ireland, living  from 450-525.    And in Westminster Abbey, there is a surviving eleventh-century shrine to Edward “The Confessor”.  And an eleventh-century crypt, containing the Chapel of the Pyx.

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Further  afield, there is a Saxon altar-stone in St Pancras Old Church in Camden, tentatively dated on stylistic grounds to the late sixth century, around  the time of the conversion of the Saxons by St Augustine in 597, and the construction of the first incarnation of St Paul’s Cathedral in 604 (interestingly, the land on which the church stands was granted to  St Paul’s in 604).  The  altar-stone, inlaid into  a Georgian altar-table, depicts five crosses, whose unusual forms are remarkably  reminiscent of that on the tomb on a small island in the Firth of Lorne believed to be of Columba’s mother Eithne, who died in the late sixth century.   There is also a Saxon rood (cross) in the church of St Dunstan and All Saints in Stepney, of the tenth.

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And five miles east of Epping, in a dappled clearing in the dark heart of the ancient  wild-wood that today bears its name, there is the extraordinary church  of St Andrew in Greensted. Greensted Church, as it is more commonly known, is purportedly the oldest wooden church  in the world.  The original  church on the site was probably built at least as long ago as the middle of the seventh century, the   time that St Cedd set about converting the East Saxons to Christianity from his base at Bradwell-on-Sea  (incidentally, Cedd went on to attend the Synod of Whitby in 664, and to die of the plague in Northumbria later that same year).  Sadly, though, the only remaining physical evidence as to the existence of this structure  is in the form of post-holes discovered during an archaeological excavation in 1960.  Work began on the present church in the middle of the eleventh century  (dendrochronological evidence acquired in 1995 indicating  that the trees used in its  construction were felled between 1060-3).   Nearly a thousand years later, much  of nave  still stands, incorporated into later extensions.  It  was evidently originally windowless, aside from some small “eag-thyrels” or eye-holes, and a single larger “niche”, known by many as  a lepers’ “squint”.  Rather wonderfully, scorch-marks can still be seen  on some of the wall timbers, suggesting that  the gloomy interior was once lit by wall-mounted lamps.   Adze-marks can also still be seen on some timbers.

Henry V’s triumphal return to London after Agincourt (1415)

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Image courtesy of “Look and Learn” (www.lookandlearn.com)

On this day in 1415 took place Henry V’s triumphal return to  London after his famous  victory over the French at the Battle of Agincourt on October 25th.  An anonymous author wrote the following eye-witness account:

“[T]he citizens went out to meet the king at the brow of Blackheath, … the mayor and … aldermen in scarlet, and the … lesser citizens in red cloaks with red-and-white party-coloured hoods, to the number of about 20000 … . And when the king came through the midst of them … and the citizens had given glory and honour to God, and congratulations to the king … the citizens rode before him towards the city, and the king followed … .

When they arrived at the … bridge … there placed on the top of the tower was  an enormous figure, with … the keys of the city hanging from a staff in his … hand … .

… And when they reached the … aqueduct in Cornhill they found the tower hidden under a scarlet cloth stretched in the form of a tent, on spears hidden under the cloth.  Surrounding … were the arms of St George, St Edward, St Edmund and of England, … inset with this pious legend: ‘Since the king hopes in the Lord and in the mercy of the highest, he shall not be moved’.  Under a covering was a band of venerable white-haired prophets, … who released, when the king came by, sparrows and other small birds in great cloud as a …  thanksgiving to God for the victory He had given …, while [they] sang in a sweet voice … [a] psalm … .

Then they went on to the tower of the conduit at the entrance to Cheapside which was decked with an awning of green … and erected to resemble a building.

… And when they came to the [Eleanor] cross in Cheapside … it was hidden by a beautiful castle of wood … .

… And when they came to the tower the conduit at the exit to Cheapside towards St Paul’s, … above the tower was stretched a canopy sky-blue in colour … and the top … was adorned by an archangel in shining gold … .  Below … was a figure of majesty represented by a sun darting out flashing rays … .

… Such was the dense throng of people in Cheapside … that a bigger or more impressive crowd had never gathered before in London.

But the king himself went along, amidst … the citizens, dressed in a purple robe, not with a haughty look and a pompous train … but with a serious countenance and a reverend pace accompanied by only a few of his most faithful servants; following him, guarded by knights, were the captured dukes, counts and the marshal.   From his silent face and … sober pace it could be inferred that the king … was giving thanks and glory to God alone and not to man.  And when he had visited the sanctuary of SS Peter and Paul, he rode away to his palace of Westminster, escorted by his citizens”.

My City of Ruins (Samuel Pepys, John Evelyn and William Taswell, 1666)

Minecraft

On this day in 1666, in the immediate aftermath of the Great Fire, Samuel Pepys wrote in his diary:

“Up by five o’clock; and, blessed be God! find all well; and by water to [Paul’s] Wharfe.  Walked thence, and saw all the towne burned, and a miserable sight of Paul’s church, with all the roofs fallen, and the body of the quire fallen into St Fayth’s; Paul’s school also, Ludgate, and Fleet Street. My father’s house, and the church, and a good part of the Temple the like.”

And went on to write, equally if not more fretfully:

“I home late to Sir W. Pen’s, who did give me a bed … ; … but still both sleeping and waking had a fear of fire in my heart, that I took little rest.  People do all the world over cry out of the simplicity of my Lord Mayor in … this business of the fire, laying it all upon him.  A proclamation is come out for markets to be kept at Leadenhall and … several other places about the town; and Tower Hill, and all churches to be set open to receive poor people”.

John Evelyn wrote:

“I wente this morning on foote from White hall as far as London bridge, thro the Late fleete streete, Ludgate hill, by St Paules, Cheape side, Exchange, Bishopsgate, Aldersgate, & out to Morefields, thence thro Cornehill, &c; with extraordinary difficulty, clambring over mountains of yet smoking rubbish, & frequently mistaking where I was, the ground under my feet so hot, as made me not only Sweate, but even burnt the soles of my shoes … : in the meane time his Majestie got to the Tower by Water, to demolish the houses about … which …  had they taken fire, & attaq’d the white Towre, where the Magazines of Powder lay, would undoubtedly have not onely … destroyed  all the bridge, but sunke … all the vessels in the river, & renderd … demolition …  even …  at many miles distance:

At my return I was infinitely concerned to find that goodly Church of St Paules now a sad ruine, & that beautiful Portico (for structure comparable to any in Europe, as not long before repaird by the late King) now rent in pieces, flakes of vast Stone Split in sunder, & nothing remaining intire but the Inscription of the Architrave which …  had not one letter of it defac’d: which I could not but take notice of: It was astonishing to see what immense stones the heat had in a manner Calcin’d, so as all the ornaments, Columns, freezes, Capitels & projectures of massie Portland stone flew off, even to the very roofe, where a Sheete of Leade covering no lesse than 6 akers by measure, being totally mealted, the ruines of the Vaulted roof, falling brake into St Faithes, which being filled with …  books … belonging to the Stationers … carried thither for safty, they were all consumed burning for a week following: It is also observable, that the lead over the Altar …  was untouch’d: and among the divers monuments, the body of one Bishop, remained intire.

Thus lay in ashes that most venerable Church, one of the antientest Pieces of early Piety in the Christian world, beside neere 100 more: The lead, yronworke, bells, plate &c all mealted: the exquisitely wrought Mercers Chapell, the Sumptuous Exchange, the august fabrique of Christ church, all the rest of the Companies Halls, sumptuous buildings, Arches, Enteries, all in dust.  The fountains dried up & ruind, whilst the very waters remained boiling; the Voragos of subterranean Cellars, Wells & Dungeons, formerly Warehouses, still burning in stench & dark clouds of smoke like hell, so as in five or six miles traversing about, I did not see one load of timber unconsum’d, nor many stones but were calcind white as snow, so as the people who now walked about the ruines, appeard like men in some dismal desart, or rather in some greate City, lay’d waste by an impetuous & cruel Enemy …

Sir Tho: Greshams Statue, though falln to the ground from its nich in the R: Exchange remain’d intire, when all those of the Kings since the Conquest were broken to pieces: also the Standard in Cornehill, & Q: Elizabeths Effigies, with some armes on Ludgate continud with but little detriment, whilst the vast yron Chaines of the Cittie streets, vast hinges, barrs & gates of Prisons were many of them mealted, & reduc’d to cinders by the vehement heats: nor was I yet able to pass through any of the narrower streets, but kept to the widest, the ground & aire, smoake & fiery vapour, continued so intense, my hair being almost seinged … : … nor could one have possibly knowne where he was, but for the ruines of some church, or hall, that had some remarkable towre or pinnacle remaining … ”.

And the  schoolboy William Taswell, on encountering the body of  one of the few recorded victims of the fire:

“Soon after sunrising I endeavoured to reach St Paul’s.  The ground was so hot as almost to scorch my shoes; and the air so intensely warm that unless I had stopped some time upon the Fleet Bridge to rest myself, I must have fainted … .  … And now … I perceived the metal belonging  to the bells melting; the ruinous conditions of the walls; whole heaps of stone of a large circumference tumbling down with a great noise … , ready to crush he to death.  [N]ear the east walls … a human body presented itself to me, parched up, as it were, with the flames; whole as to skin, meagre as to flesh, yellow as to colour.  This was an old decrepit woman who fled here for safety, imagining the flames could not have reached her …  . Her clothes were burned, and evry limb reduced to a coal”.

 

Charles II’s Coronation Cavalcade (1661)

Charles II's coronation procession

On this day in 1661, the day before his formal coronation, Charles II ceremonially processed  on horseback through the City of London to Westminster.  The ceremonial route passed  through four specially-constructed allegorically-themed triumphal arches: one on Leadenhall Street; one at the Royal Exchange on Cornhill; one on Cheapside; and one in Whitefriars (*).

The event was captured on canvas by the Dutch artist Dir(c)k Stoop.  The associated lavish entertainments  were described in detail in print by the Scots stage-manager John Ogilby, in a book entitled, in part (!),  “The entertainment of His Most Excellent Majestie Charles II, in his passage through the city of London to his coronation containing an exact accompt of the whole solemnity, the triumphal arches, and cavalcade … ”.

(*) The arches are thought to have been inspired by those designed by  Rubens for the triumphal entry of Cardinal-Infante Ferdinand of Austria into Antwerp in 1635.

James I’s Triumphal Entry into London (1604)

On this day in 1604, James I, the newly crowned first Stuart King of England, entered  the City of London, and thence processed to  Westminster to attend his first parliament, amid much pomp and pageant.  A number of contemporary accounts of the event still survive, including those of Thomas Dekker, Gilbert Dugdale, Ben Jonson and Stephen Harrison, and also that of the King himself, who wrote,  with characteristic bombast:

“The people of all sorts rode and ran, nay, rather flew to meet me, their eyes flaming nothing but sparkles of affection, their mouths and tongues uttering nothing but sounds of joy, their hands, feet, and all the rest of their members in their gestures discovering a passionate longing and earnestness to meet and embrace their new sovereign.”

On its way from the City to Westminster, the  procession passed beneath  a series of allegorically-themed triumphal arches, designed by the aforementioned Stephen Harrison, that formed the backdrops for entertainments by some of the finest writers of the day, including Dekker, Jonson, Middleton and Webster.

1-the-arch-of-londinium

The first triumphal arch, on Fenchurch Street, was the Arch of Londinium, representing the City of London.  The entertainment performed here portrayed the personification of British Monarchy, Divine Wisdom, and the  Genius of the City (alongside  Gladness, Veneration, Prompitude, Vigilance, Loving Affection and Unanimity).

2-the-arch-of-the-italians

The second, on Gracious [Gracechurch] Street, was the Arch of the Italians (*), also symbolically depicting James receiving the crown of England …

3-the-arch-of-the-dutchmen

… and the third, at the [Royal] Exchange, the Arch of the Dutchmen (**).

4 - New Arabia

The fourth, at the Great Conduit at the eastern end of Cheapside, was the Arch of New Arabia.

5-the-arch-of-the-bower-of-plenty

The  fifth, at the Little Conduit at the western end of Cheapside, was the  Arch of the Bower of Plenty, also symbolically depicting Peace, the nine Muses,  and the seven Liberal Arts (Grammar, Logic, Rhetoric, Music, Arithmetic, Geometry and Astrology).

6 - New World

The sixth, at the Conduit on Fleet Street, was the Arch of the New World.

The seventh, and the last in the City of London, at Temple Bar, was the Temple of Janus (there was an eighth on the Strand in the City of Westminster).

(*) There had been an Italian community in the immediately surrounding area – centred on Lombard Street – since the late thirteenth century.

(**) There had been a Dutch community in the immediately surrounding area – centred on the Dutch Church on Austin Friars – since the mid-sixteenth century.